{"id":98,"date":"2011-04-19T16:58:01","date_gmt":"2011-04-19T16:58:01","guid":{"rendered":"http:\/\/wordpress1790424.home.pl\/autoinstalator\/wordpressplus\/?post_type=portfolio&#038;p=98"},"modified":"2018-06-21T12:28:01","modified_gmt":"2018-06-21T12:28:01","slug":"oratorio","status":"publish","type":"portfolio","link":"https:\/\/www.zorkawollny.net\/?portfolio=oratorio","title":{"rendered":"Oratorio"},"content":{"rendered":"<h1 class=\"p1\">Oratorio for Orchestra<br \/>\nand Warsaw Citizens&#8217; Choir<\/h1>\n<h6 class=\"p1\">concert for 25 musicians and choir, 40min.<\/h6>\n<h6 class=\"p1\">Warsaw Autumn \u2013 International Festival of Contemporary Music, 2011<\/h6>\n<h6 class=\"p1\">in collaboration with Artur Zagajewski and Anna Szwajgier<\/h6>\n<h6 class=\"p1\">photo: Jakub Pierzcha\u0142a<\/h6>\n<h6 class=\"p1\">Warsaw Citizens\u2019 choir contained the following non-government organizations:<br \/>\n\u2013 Amnesty International<br \/>\n\u2013 Fundacja Centrum Praw Kobiet<br \/>\n\u2013 Fundacja MaMa<br \/>\n\u2013 Fundacja Mederi \u2013 Pom\u00f3\u017cmy Dzieciom<br \/>\n\u2013 Greenpeace<br \/>\n\u2013 Mi\u0142o\u015b\u0107 nie wyklucza \u2013 Grupa Tel-Aviv<br \/>\n\u2013 Komisja Dialogu Spo\u0142ecznego m. st. Warszawy ds.&nbsp;Mieszka\u0144 Chronionych<br \/>\n\u2013 Kolektyw Z\u0142o\u015b\u0107<br \/>\n\u2013 Partia Kobiet<br \/>\n\u2013 Spo\u0142eczny Komitet ds.&nbsp;AIDS<br \/>\n\u2013 Stowarzyszenie Kobiet Niepe\u0142nosprawnych ONE.PL<br \/>\n\u2013 Stowarzyszenie O\u017carowska<br \/>\n\u2013 Stowarzyszenie PRO FEMINA<br \/>\n\u2013 Stowarzyszenie Rodzin i&nbsp;Opiekun\u00f3w Os\u00f3b z&nbsp;Zespo\u0142em Downa Bardziej Kochani<br \/>\n\u2013 Warszawska Masa Krytyczna<\/h6>\n<p>&nbsp;<\/p>\n<p class=\"p1\">This project was inspired by&nbsp;vocal works with orchestra (particularly oratorios) that often feature in Warsaw Autumn Festival programmes. With the 2011 edition of the Festival advocating social participation, we&nbsp;have suggested moving the orchestra out of the convenient space of the concert hall to&nbsp;the streets of Warsaw, and enriching the playing of professional musicians with the polyphony of the city\u2019s residents.<\/p>\n<p class=\"p1\">Text, solo parts (which are very free in character), duos and ensembles were composed out of improvisations of Warsaw residents, selected during an open rehearsal, and performed by&nbsp;the same residents. An invitation to&nbsp;contribute to&nbsp;the project was sent through selected non-governmental organisations as well as newspapers to&nbsp;all those who wish to&nbsp;speak on important matters of Warsaw\u2019s and Poland\u2019s social politics. Consequently, the Oratorio is a&nbsp;sort of composed demonstration.<\/p>\n<p class=\"p1\">The staging of the project was directed by&nbsp;Zorka Wollny (with the cooperation of Anna Szwajgier) while the music was composed by&nbsp;Artur Zagajewski. Text and music are freely intertwined, completing each other in emphasising the key moments, but at times also going their own way and losing themselves in the street noise.<\/p>\n<p class=\"p1\">One important aspect of the project is the secularisation of the oratorio genre: independent of this or that institution, it can become a&nbsp;form of expression for pluralist society, a&nbsp;polyphony of opinions and postulates. Seeing the oratorio\u2019s dramatic potential during demonstration and rallies can help attracting the latter into the dominion of art. Another important aspect of the project is the cooperation of professional musicians with Warsaw citizens, and the sounding of a&nbsp;musical composition in the actual space of the city, with its noise, randomness and open form.<\/p>\n<p>&nbsp;<\/p>\n<h1>Oratorium na&nbsp;orkiestr\u0119 i&nbsp;ch\u00f3r mieszka\u0144c\u00f3w Warszawy<\/h1>\n<h6 class=\"p1\">koncert na&nbsp;25 muzyk\u00f3w i&nbsp;ch\u00f3r, 40 min.<\/h6>\n<h6 class=\"p1\">Festiwal Warszawska Jesie\u0144 2011<\/h6>\n<h6 class=\"p1\">we&nbsp;wsp\u00f3\u0142pracy z&nbsp;Arturem Zagajewskim i&nbsp;Ann\u0105 Szwajgier<\/h6>\n<h6 class=\"p1\">foto: Jakub Pierzcha\u0142a<\/h6>\n<h6 class=\"p1\">organizacje tworz\u0105ce Ch\u00f3r mieszka\u0144c\u00f3w Warszawy:<\/h6>\n<h6 class=\"p1\">\u2013 Amnesty International<\/h6>\n<h6 class=\"p1\">\u2013 Fundacja Centrum Praw Kobiet<\/h6>\n<h6 class=\"p1\">\u2013 Fundacja MaMa<\/h6>\n<h6 class=\"p1\">\u2013 Fundacja Mederi \u2013 Pom\u00f3\u017cmy Dzieciom<\/h6>\n<h6 class=\"p1\">\u2013 Greenpeace<\/h6>\n<h6 class=\"p1\">\u2013 Mi\u0142o\u015b\u0107 nie wyklucza \u2013 Grupa Tel-Aviv<\/h6>\n<h6 class=\"p1\">\u2013 Komisja Dialogu Spo\u0142ecznego m. st. Warszawy<\/h6>\n<h6 class=\"p1\">ds.&nbsp;Mieszka\u0144 Chronionych<\/h6>\n<h6 class=\"p1\">\u2013 Kolektyw Z\u0142o\u015b\u0107<\/h6>\n<h6 class=\"p1\">\u2013 Partia Kobiet<\/h6>\n<h6 class=\"p1\">\u2013 Spo\u0142eczny Komitet ds.&nbsp;AIDS<\/h6>\n<h6 class=\"p1\">\u2013 Stowarzyszenie Kobiet Niepe\u0142nosprawnych ONE.PL<\/h6>\n<h6 class=\"p1\">\u2013 Stowarzyszenie O\u017carowska<\/h6>\n<h6 class=\"p1\">\u2013 Stowarzyszenie PRO FEMINA<\/h6>\n<h6 class=\"p1\">\u2013 Stowarzyszenie Rodzin i&nbsp;Opiekun\u00f3w Os\u00f3b<\/h6>\n<h6 class=\"p1\">z&nbsp;Zespo\u0142em Downa Bardziej Kochani<\/h6>\n<h6 class=\"p1\">\u2013 Warszawska Masa Krytyczna<\/h6>\n<p>&nbsp;<\/p>\n<p class=\"p1\">Inspiracj\u0105 do&nbsp;powstania projektu by\u0142y utwory wokalne z&nbsp;orkiestr\u0105 (zw\u0142aszcza oratoryjne), uwzgl\u0119dniane cz\u0119sto w&nbsp;programach festiwalu Warszawska Jesie\u0144. W&nbsp;roku 2011, realizuj\u0105c postulat zaanga\u017cowania spo\u0142ecznego towarzysz\u0105cy tej&nbsp;edycji festiwalu, zaproponowali\u015bmy wyprowadzenie orkiestry z&nbsp;zacisza sali koncertowej na&nbsp;ulice stolicy oraz&nbsp;wzbogacenie gry profesjonalnych muzyk\u00f3w wielog\u0142osem mieszka\u0144c\u00f3w miasta. Tekst, traktowane bardzo swobodnie partie solowe, duety i&nbsp;ansamble, powsta\u0142 z&nbsp;improwizacji mieszka\u0144c\u00f3w Warszawy wy\u0142onionych podczas otwartej pr\u00f3by i&nbsp;jest przez nich wykonywany. Propozycja wsp\u00f3\u0142pracy zosta\u0142a wys\u0142ana zar\u00f3wno do&nbsp;wybranych organizacji pozarz\u0105dowych, jak i&nbsp;do gazet w&nbsp;formie otwartego zaproszenia do&nbsp;wszystkich, kt\u00f3rzy&nbsp;czuj\u0105 potrzeb\u0119 zabrania g\u0142osu w&nbsp;sprawach wa\u017cnych dla spo\u0142ecznej polityki miasta i&nbsp;kraju. Powsta\u0142 zatem rodzaj zakomponowanej manifestacji. Za&nbsp;warstw\u0119 dramaturgiczn\u0105 projektu odpowiada Zorka Wollny (przy wsp\u00f3\u0142pracy Anny Szwajgier), muzyk\u0119 skomponowa\u0142 Artur Zagajewski. Tekst i&nbsp;muzyka przeplataj\u0105 si\u0119 swobodnie, uzupe\u0142niaj\u0105c i&nbsp;podkre\u015blaj\u0105c wzajemnie kluczowe momenty, by&nbsp;chwilami gubi\u0107 zale\u017cn\u0105 relacj\u0119 i&nbsp;nikn\u0105\u0107 w&nbsp;ha\u0142asie ulicy. Wa\u017cn\u0105 kwesti\u0105 jest sekularyzacja formy oratorium, kt\u00f3re \u2013 oderwane od&nbsp;jednej instytucji \u2013 mo\u017ce sta\u0107 si\u0119 form\u0105 wyrazu pluralistycznego spo\u0142ecze\u0144stwa, wielog\u0142osem opinii i&nbsp;postulat\u00f3w. Dostrze\u017cenie potencja\u0142u dramaturgicznego w&nbsp;zgromadzeniach i&nbsp;demonstracjach pozwala w\u0142\u0105czy\u0107 je w&nbsp;obr\u0119b sztuki.Drugim istotnym aspektem jest wsp\u00f3\u0142praca profesjonalnych muzyk\u00f3w z&nbsp;mieszka\u0144cami Warszawy oraz&nbsp;brzmienie kompozycji muzycznej w&nbsp;realnej przestrzeni miasta, wraz z&nbsp;jej ha\u0142asem, przypadkowo\u015bci\u0105 i&nbsp;otwart\u0105 form\u0105.<\/p>\n<p class=\"p1\">\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Oratorio for Orchestra and Warsaw Citizens&#8217; Choir concert for 25 musicians and choir, 40min. Warsaw Autumn \u2013 International Festival of Contemporary Music, 2011 in collaboration with Artur Zagajewski and Anna Szwajgier photo: Jakub Pierzcha\u0142a Warsaw Citizens\u2019 choir contained the following non-government organizations: \u2013 Amnesty International \u2013 Fundacja Centrum Praw Kobiet \u2013 Fundacja MaMa \u2013 Fundacja&hellip;<\/p>\n","protected":false},"author":1,"featured_media":628,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"portfolio_category":[6,5],"portfolio_tag":[],"class_list":["post-98","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-protest","portfolio_category-concerts"],"_links":{"self":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/98","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=98"}],"version-history":[{"count":14,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/98\/revisions"}],"predecessor-version":[{"id":755,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/98\/revisions\/755"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/media\/628"}],"wp:attachment":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=98"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_category&post=98"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_tag&post=98"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}