{"id":54,"date":"2008-04-19T15:17:44","date_gmt":"2008-04-19T15:17:44","guid":{"rendered":"http:\/\/wordpress1790424.home.pl\/autoinstalator\/wordpressplus\/?post_type=portfolio&#038;p=54"},"modified":"2017-07-28T17:20:45","modified_gmt":"2017-07-28T17:20:45","slug":"lucie-mad","status":"publish","type":"portfolio","link":"https:\/\/www.zorkawollny.net\/?portfolio=lucie-mad","title":{"rendered":"Lucie Mad"},"content":{"rendered":"<h1>Lucy Mad<\/h1>\n<h6>quoted: Magdalena Abakanowicz, Barbara Falender, Izabela Gustowska, Katarzyna Kobro, Zofia Kulik, Ewa Kuryluk, Natalia LL, Teresa Murak, Ewa Partum, Maria Pininska-Beres, Anna P\u0142otnicka, Jadwiga Sawicka, Alina Szapocznikow.<\/h6>\n<h6>video 8 min.<\/h6>\n<h6>Sculpture Center Oro\u0144sko, July 2008<\/h6>\n<h6>text: No local gallery<\/h6>\n<h6>collaboration: Barbara Kurzaj<\/h6>\n<p>&nbsp;<\/p>\n<p>The movie refers to&nbsp;the history of the roles of women in society. Don Nigros popular play entitled 'Lucie Mad&#8217; served for the artist as a&nbsp;means to&nbsp;analyze, restructure, and play the protagonist for whom madness is the only form of female expression in conservative society. The quotation in this movie appears also as a&nbsp;reference to&nbsp;works by&nbsp;Polish women artists from the 1920s to&nbsp;the present day. Is being an artist a&nbsp;chance to&nbsp;avoid the consequences? Is it a&nbsp;possibility to&nbsp;find ones own way of expression? The Centre of Polish Sculpture in Oro\u0144sko is an important context for this film, as it is a&nbsp;place dominated by&nbsp;male artists. In Wollny&#8217; work there takes place a&nbsp;kind of clash, a&nbsp;confrontation. In the park in Oro\u0144sko, in a&nbsp;place where there are numerous sculptural representations of women made by&nbsp;male artists, there was voiced a&nbsp;statement by&nbsp;an artist who presents womanhood from a&nbsp;point of view of a&nbsp;woman. She makes room for the most important Polish women artists, who are somehow absent from the Centre of Polish Sculpture.<\/p>\n<h1>\u0141ucja Szalona<\/h1>\n<h6>wideo 8 min.<\/h6>\n<h6>lipiec 2008<\/h6>\n<h6>Cytowane: Magdalena Abakanowicz, Barbara Falender, Izabela Gustowska, Katarzyna Kobro, Zofia Kulik, Ewa Kuryluk, Natalia LL, Teresa Murak, Ewa Partum, Maria Pininska-Beres, Anna P\u0142otnicka, Jadwiga Sawicka, Alina Szapocznikow.<\/h6>\n<h6>tekst: Galeria No Local<\/h6>\n<h6>narratorka: Barbara Kurzaj<\/h6>\n<p>Jest to&nbsp;praca, kt\u00f3ra&nbsp;nawi\u0105zuje do&nbsp;historii kobiecych r\u00f3l w&nbsp;spo\u0142ecze\u0144stwie. Artystka pos\u0142u\u017cy\u0142a si\u0119 popularn\u0105 sztuk\u0105 \u0141ucja Szalona Don Nigro, po&nbsp;to by&nbsp;podda\u0107 analizie, przebudowa\u0107 i&nbsp;odegra\u0107 posta\u0107 bohaterki, wed\u0142ug kt\u00f3rej&nbsp;jedyn\u0105 form\u0105 kobiecej ekspresji w&nbsp;konserwatywnym spo\u0142ecze\u0144stwie jest szale\u0144stwo. Cytat w&nbsp;tej pracy pojawia si\u0119 tak\u017ce w&nbsp;nawi\u0105zaniu do&nbsp;tw\u00f3rczo\u015bci polskich artystek, tworz\u0105cych od&nbsp;lat 20 XX wieku do&nbsp;dnia dzisiejszego. Czy bycie artystk\u0105 jest szans\u0105 ucieczki przed&nbsp;konwencjami? Czy mo\u017ce by\u0107 znalezieniem drogi w\u0142asnej ekspresji? Wa\u017cnym kontekstem dla filmu jest samo Centrum Rze\u017aby Polskiej w&nbsp;Oro\u0144sku.<\/p>\n<p>W&nbsp;filmie Wollny dochodzi do&nbsp;zderzenia, konfrontacji. W\u015br\u00f3d wielu rze\u017ab z&nbsp;parku w, b\u0119d\u0105cych m\u0119skim wyobra\u017ceniem kobieco\u015bci, do&nbsp;g\u0142osu wywo\u0142ana zosta\u0142a artystka, kt\u00f3ra&nbsp;przedstawia kobieco\u015b\u0107 z&nbsp;\u017ce\u0144skiego punktu widzenia, oddaj\u0105c g\u0142os najwa\u017cniejszym polskim tw\u00f3rczyniom, w&nbsp;pewnym sensie pomini\u0119tym w&nbsp;Centrum Rze\u017aby.<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Lucy Mad quoted: Magdalena Abakanowicz, Barbara Falender, Izabela Gustowska, Katarzyna Kobro, Zofia Kulik, Ewa Kuryluk, Natalia LL, Teresa Murak, Ewa Partum, Maria Pininska-Beres, Anna P\u0142otnicka, Jadwiga Sawicka, Alina Szapocznikow. video 8 min. Sculpture Center Oro\u0144sko, July 2008 text: No local gallery collaboration: Barbara Kurzaj &nbsp; The movie refers to&nbsp;the history of the roles of women&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"portfolio_category":[11],"portfolio_tag":[],"class_list":["post-54","portfolio","type-portfolio","status-publish","hentry","portfolio_category-madness"],"_links":{"self":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/54","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=54"}],"version-history":[{"count":15,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/54\/revisions"}],"predecessor-version":[{"id":1270,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/54\/revisions\/1270"}],"wp:attachment":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=54"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_category&post=54"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_tag&post=54"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}