{"id":52,"date":"2017-04-19T15:17:29","date_gmt":"2017-04-19T15:17:29","guid":{"rendered":"http:\/\/wordpress1790424.home.pl\/autoinstalator\/wordpressplus\/?post_type=portfolio&#038;p=52"},"modified":"2017-05-03T09:17:42","modified_gmt":"2017-05-03T09:17:42","slug":"lulu","status":"publish","type":"portfolio","link":"https:\/\/www.zorkawollny.net\/?portfolio=lulu","title":{"rendered":"Lulu"},"content":{"rendered":"<h1>Lulu<\/h1>\n<h6>video 48min.<\/h6>\n<h6>May 2008<\/h6>\n<h6>text: Kamila Paprocka 'Multiple portrait of the woman&#8217; Magazin Theatre , March 2009<\/h6>\n<p>&nbsp;<br \/>\nLulu is a&nbsp;video drama based on Frank Wedekind&#8217;s play in Micha\u0142 Borczuch&#8217;s adaptation.<br \/>\nWhat are the limits of the role? At what point is the gap create? &#8211; these were the questions that Wollny asked herself while observing, through the eye of the camera, the part practice by&nbsp;Lulu. In this the experiment, which is an attempt to&nbsp;deconstruct the theatre, the roles have multiplied and merged one another. As a&nbsp;character from Wedekind&#8217;s drama Lulu takes on different parts &#8211; of a&nbsp;young Lolitae, of a&nbsp;polite wife and of a&nbsp;femme fatale. This chameleon is played by&nbsp;Marta Ojrzy\u0144ska. Looking at Lulu the viever can reflect on the social roles assigned to&nbsp;women. Only after going through all the layers and mediation, you can ask about the moment of abandoning the role, about the state of &#8222;being natural&#8221;, when looking at the face of true Lulu, of true Ojrzynska, of real women? The actress was placed in the position to&nbsp;speak on her own behalf, to&nbsp;expose the craft of acting, and, in some way, to&nbsp;challenge it.<br \/>\n&nbsp;<\/p>\n<h1>Lulu<\/h1>\n<h6>wideo, 48 min, maj 2008<\/h6>\n<h6>na&nbsp;podstawie sztuki Franka Wedekinda w&nbsp;adaptacji<\/h6>\n<h6>Micha\u0142a Borczucha (Teatr Stary 2008)<\/h6>\n<h6>tekst: Kamila Paprocka \u201eKobiety portret wielokrotny\u201d Miesi\u0119cznik Teatr, marzec 2009<\/h6>\n<p>&nbsp;<br \/>\n&#8222;Do jakich granic si\u0119ga rola? W&nbsp;kt\u00f3rym momencie powstaje wy\u0142om? takie by\u0142y pytania, kt\u00f3re zadawa\u0142a sobie Wollny obserwuj\u0105ca okiem kamery \u0107wiczenie roli Lulu. W&nbsp;eksperymencie, b\u0119d\u0105cym pr\u00f3b\u0105 dekonstrukcji teatru, role zwielokrotni\u0142y i&nbsp;na\u0142o\u017cy\u0142y si\u0119 na&nbsp;siebie.<\/p>\n<p>Jako posta\u0107 z&nbsp;dramatu Wedekinda Lulu przyjmuje r\u00f3\u017cne role lolitki, uk\u0142adnej \u017cony, femme fatale.<br \/>\nW tego kameleona wciela si\u0119 Marta Ojrzy\u0144ska. Patrz\u0105c na&nbsp;Lulu mo\u017cna zatem zastanawia\u0107 si\u0119 nad&nbsp;spo\u0142ecznymi rolami przypisanymi kobiecie. Dopiero po&nbsp;przebiciu si\u0119 przez te wszystkie warstwy i&nbsp;zapo\u015bredniczenia, nale\u017cy pyta\u0107 o&nbsp;moment wyj\u015bcia z&nbsp;roli, o&nbsp;stan, jak sama nazywa go Wollny, naturalno\u015bci. Prawdziwej Lulu, Ojrzy\u0144skiej, kobiety? Aktorka zosta\u0142a postawiona w&nbsp;sytuacji m\u00f3wienia w&nbsp;swoim imieniu, obna\u017cenia aktorskiego rzemios\u0142a, a&nbsp;tak\u017ce, w&nbsp;pewien spos\u00f3b, zakwestionowania go.&#8221;<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Lulu video 48min. May 2008 text: Kamila Paprocka 'Multiple portrait of the woman&#8217; Magazin Theatre , March 2009 &nbsp; Lulu is a&nbsp;video drama based on Frank Wedekind&#8217;s play in Micha\u0142 Borczuch&#8217;s adaptation. What are the limits of the role? At what point is the gap create? &#8211; these were the questions that Wollny asked herself&hellip;<\/p>\n","protected":false},"author":1,"featured_media":694,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"portfolio_category":[11,13],"portfolio_tag":[],"class_list":["post-52","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-madness","portfolio_category-theater"],"_links":{"self":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/52","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=52"}],"version-history":[{"count":8,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/52\/revisions"}],"predecessor-version":[{"id":952,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/52\/revisions\/952"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/media\/694"}],"wp:attachment":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=52"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_category&post=52"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_tag&post=52"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}