{"id":2439,"date":"2020-06-28T20:41:42","date_gmt":"2020-06-28T20:41:42","guid":{"rendered":"http:\/\/www.zorkawollny.net\/?post_type=portfolio&p=2439"},"modified":"2023-06-25T10:47:37","modified_gmt":"2023-06-25T10:47:37","slug":"a-future-retrospective","status":"publish","type":"portfolio","link":"https:\/\/www.zorkawollny.net\/?portfolio=a-future-retrospective","title":{"rendered":"A Future Retrospective"},"content":{"rendered":"

Zorka Wollny: Environment.
\nA Future Retrospective<\/h1>\n

Curator: Joanna Warsza<\/h6>\n
20 February – 31 May 2020<\/h6>\n
TRAFO Center for Contemporary Art<\/h6>\n
The works presented at the exhibition were created in collaboration with the following artists: Sebastian Buczek, Christine Sch\u00f6rkhuber, Kalle Enkellman, Jasmine Guffond, Psychedelic Choir, Polin Choir, Ma\u0142gorzata Mazur, Anna Szwajgier, N.U Unruh (Einst\u00fcrzende Neubauten), the employees of the Szczecin Shipyard.<\/h6>\n
Commissioned by TRAFO Center for Contemporary Art in Szczecin in collaboration with CTM Festival 2020 Berlin, the Chicago Architecture Biennial, and the Steirischer Herbst Festival, with support from Senat Berlin, the Szczecin Shipyard and Habia Cable.<\/h6>\n
Photos and virtual tour; Andrzej Golc<\/h6>\n

This retrospective looks not to the past but to the future, and asks how exhibitions can be carried out with a modest carbon footprint. The environment is typically a system of interpenetrating animate and inanimate elements. Zorka Wollny\u2019s environment is acoustic, anthropogenic, artistic, degraded and animated. It comprises artworks, performances, and interactive installations, such as acoustic birds\u2019 nests, sensory cushions made from buoys, and carpets of broken glass. The exhibition is mostly constructed from objects removed from their daily functions in Szczecin and surroundings, for example in a shipyard, paper mill, or cable factory.<\/p>\n

For the past 15 years Wollny has been interested in the traffic between choreography, music, and visual culture, contributing to the performative revival in art. She has often composed scores performed with the participation of the audience, and problematizing everyday behaviour. Many of these works are presented here in the form of video documentation. Wollny\u2019s Environment as created at TRAFO also sums up her different experiments with physicality, acoustics, and the rituals of everyday life, proposing caring exhibition practices and a reflection on how to practise art in the face of climate catastrophe, both within the four walls of the gallery and beyond.<\/p>\n

Retrospective portfolio<\/a><\/p>\n

TAKE THE VIRTUAL TOUR<\/a><\/p>\n

Review in Art in Berlin\u00a0by\u00a0Urszula Usakowska-Wolff
\nhttps:\/\/www.art-in-berlin.de\/<\/a><\/p>\n

Review in Taz by Julia Gwendolyn Schneider
\nhttps:\/\/taz.de\/<\/a><\/p>\n

Zorka Wollny: \u015arodowisko.
\nRetrospektywa na przysz\u0142o\u015b\u0107.<\/h1>\n
Kuratorka: Joanna Warsza<\/h6>\n
20 Luty- 31 Maj 2020<\/h6>\n
TRAFOSTACJA SZTUKI w Szczecinie<\/h6>\n
Prace prezentowane na wystawie powsta\u0142y we wsp\u00f3\u0142pracy z nast\u0119puj\u0105cymi artystami i artystkami: Sebastian Buczek, Christine Sch\u00f6rkhuber, Kalle Enkellman, Jasmine Guffond, Psychedelic Choir, Polin Choir, Ma\u0142gorzata Mazur, Anna Szwajgier, N.U Unruh (Einst\u00fcrzende Neubauten), the employees of the Szczecin Shipyard.<\/h6>\n
Wystawa powsta\u0142a we wsp\u00f3\u0142pracy z CTM 2020 Berlin, Chicago Architecture Biennale, Steirischer Herbst Festiwal, przy wsparciu Senatu Miasta Berlin, Stoczni Szczeci\u0144skiej oraz Habia Cable.<\/h6>\n
Fotografie i wirtualny spacer; Andrzej Golc<\/h6>\n

Ta retrospektywna wystawa nie patrzy w przesz\u0142o\u015b\u0107, ale w przysz\u0142o\u015b\u0107, pytaj\u0105c o to, jak robi\u0107 ekspozycje z ma\u0142ym \u015bladem w\u0119glowym? \u015arodowisko to zwykle system wsp\u00f3\u0142zale\u017cnych, przenikaj\u0105cych si\u0119 element\u00f3w nieo\u017cywionych i o\u017cywionych. \u015arodowisko Zorki Wollny jest jednocze\u015bnie akustyczne, antropogeniczne, artystyczne, zdegradowane i o\u017cywione. Sk\u0142adaj\u0105 si\u0119 na nie dzie\u0142a sztuki, performatywne prace i interaktywne instalacje: akustyczne ptasie gniazda, poduszki sensoryczne z boi czy dywany z pot\u0142uczonego szk\u0142a. Wi\u0119kszo\u015b\u0107 materia\u0142\u00f3w, obiekt\u00f3w i surowc\u00f3w zosta\u0142a odzyskana od producent\u00f3w i zak\u0142ad\u00f3w pracy w Szczecinie, m.in. ze stoczni, papierowni czy fabryki kabli. Po zako\u0144czeniu wystawy cz\u0119\u015b\u0107 z nich zostanie naprawiona i wr\u00f3ci do obiegu. Zorka przez ostatnie 15 lat funkcjonowa\u0142a na pograniczu choreografii, muzyki i kultury wizualnej. Cz\u0119sto jej prace w\u0142\u0105cza\u0142y do dzia\u0142a\u0144 publiczno\u015b\u0107 i problematyzowa\u0142y codzienne zachowania, co prezentujemy w formie dokumentacji wideo. \u015arodowisko Zorki Wollny stworzone w TRAFO podsumowuje szereg eksperyment\u00f3w artystki z fizyczno\u015bci\u0105, akustyk\u0105 oraz codziennymi zwyczajami, proponuj\u0105c troskliwe praktyki wystawiennicze, a szerzej: refleksj\u0119, jak uprawia\u0107 sztuk\u0119 w obliczu katastrofy klimatycznej, zar\u00f3wno w czterech \u015bcianach galerii jak i poza nimi.<\/p>\n

Retrospective portfolio pl<\/a><\/p>\n

WIRTUALNE ZWIEDZANIE WYSTAWY<\/a><\/p>\n

\"\"<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Zorka Wollny: Environment. A Future Retrospective Curator: Joanna Warsza 20 February – 31 May 2020 TRAFO Center for Contemporary Art The works presented at the exhibition were created in collaboration with the following artists: Sebastian Buczek, Christine Sch\u00f6rkhuber, Kalle Enkellman, Jasmine Guffond, Psychedelic Choir, Polin Choir, Ma\u0142gorzata Mazur, Anna Szwajgier, N.U Unruh (Einst\u00fcrzende Neubauten), the…<\/p>\n","protected":false},"author":1,"featured_media":2452,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"portfolio_category":[10],"portfolio_tag":[],"class_list":["post-2439","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-venues"],"_links":{"self":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/2439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2439"}],"version-history":[{"count":18,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/2439\/revisions"}],"predecessor-version":[{"id":2825,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/2439\/revisions\/2825"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/media\/2452"}],"wp:attachment":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2439"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_category&post=2439"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_tag&post=2439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}