<\/p>\n
Ballad for the Zacheta Gallery<\/em> uses concrete sounds and so it can be seen as an example of live musique concrete. The sounds of the Ballad reference the specific functionality of the building and important historical events connected with its existence. However, this referentiality is more metaphorical and imaginary than literal\u2014the relation between sound and its source is blurred. „Ballada na Gmach Zach\u0119ty to wydarzenie muzyczne, inspirowane histori\u0105 gmachu Zach\u0119ty. Publiczno\u015b\u0107, kt\u00f3ra zazwyczaj przemierza hol i schody, by dotrze\u0107 do kolejnych sal, tym razem zosta\u0142a zatrzymana na p\u00f3\u0142pi\u0119trze i poproszona o zamkni\u0119cie oczu, co mia\u0142o na celu intensyfikacj\u0119 dozna\u0144 s\u0142uchowych, ale te\u017c wykluczy\u0142o niecierpliwo\u015b\u0107 zwi\u0105zan\u0105 z czekaniem na wizualn\u0105 akcj\u0119.<\/p>\n Ballada to performens, oparty na d\u017awi\u0119kach. Mimo niewidzialno\u015bci cia\u0142, pe\u0142ni\u0142y one g\u0142\u00f3wn\u0105 rol\u0119 w ca\u0142y procesie wydobywanie d\u017awi\u0119k\u00f3w. Kroki, szepty, czy owacje to etiudy muzyczne, zagrane na stopach, ustach i d\u0142oniach. B\u0119d\u0105c grup\u0105 dziesi\u0119ciu performer\u00f3w, starali\u015bmy si\u0119 zagospodarowa\u0107 ka\u017cdy fragment galerii, tak aby publiczno\u015b\u0107 by\u0142a otoczona d\u017awi\u0119kami. U\u017cywali\u015bmy wielu przedmiot\u00f3w, aby wywo\u0142a\u0107 wra\u017cenie t\u0142umu i wielo\u015bci zdarze\u0144. Ca\u0142o\u015b\u0107 trwa\u0142a 22 minuty i 42 sekundy. W tym czasie przywo\u0142ali\u015bmy sytuacje ze 100 lat historii budynku, ko\u0144cz\u0105c pr\u00f3b\u0105 mikrofonu. Ta scena jest symboliczn\u0105 zapowiedzi\u0105 kolejnych wydarze\u0144, kt\u00f3re wype\u0142ni\u0105 wn\u0119trze Zach\u0119ty.” \u00a0Monika \u0141azuk, performerka<\/p>\n <\/p>\n <\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" Ballad for the Zacheta Gallery performance for 14 performers, 22min. Zach\u0119ta National Gallery, Warsaw, September 2009 in collaboration with Anna Szwajgier performers: W\u0142odzimierz Antoniw, Zuzanna Krynicka, Zofia Magdalena Lubi\u0144ska, Monika \u0141azuk, Damian \u0141ukawski, Pawe\u0142 Matyja, Zuzanna Michalska, Paulina Olszewska, Julianna Ortega, Anna Paradowska, Agata Sasinowska Ballad for the Zacheta Gallery uses concrete sounds and…<\/p>\n","protected":false},"author":1,"featured_media":712,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"portfolio_category":[5],"portfolio_tag":[],"class_list":["post-132","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-concerts"],"_links":{"self":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=132"}],"version-history":[{"count":10,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/132\/revisions"}],"predecessor-version":[{"id":892,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/132\/revisions\/892"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/media\/712"}],"wp:attachment":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=132"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_category&post=132"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_tag&post=132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n14 performers helped us to prepare the piece. There were parts that involved acting, singing, whistling, dancing, shooting, etc. There were special solos and little scenes to be played by many people at one time, and space for improvisation with only guidelines suggesting the type of action to be performed. But as the lighting for the performance was intimate, and only those sounds that were scored to be precise and their source identifiable\u2014requiring the close presence (and thus visibility) of the performers, many visual aspects of the performance were hidden from the audience.<\/p>\nBallada na gmach Zach\u0119ty<\/h1>\n
performens na 14 performer\u00f3w, 22 min.<\/h6>\n
Zach\u0119ta, Narodowa Galeria Sztuki, Warszawa, Wrzesie\u0144 2009
\nwe wsp\u00f3\u0142pracy z Ann\u0105 Szwajgier<\/h6>\nperformerzy: W\u0142odzimierz Antoniw, Zuzanna Krynicka, Zofia Magdalena Lubi\u0144ska, Monika \u0141azuk, Damian \u0141ukawski, Pawe\u0142 Matyja, Zuzanna Michalska, Paulina Olszewska, Julianna Ortega, Anna Paradowska, Agata Sasinowska<\/h6>\n