{"id":128,"date":"2010-04-19T17:17:04","date_gmt":"2010-04-19T17:17:04","guid":{"rendered":"http:\/\/wordpress1790424.home.pl\/autoinstalator\/wordpressplus\/?post_type=portfolio&#038;p=128"},"modified":"2023-06-25T11:02:14","modified_gmt":"2023-06-25T11:02:14","slug":"concert-for-high-heels","status":"publish","type":"portfolio","link":"https:\/\/www.zorkawollny.net\/?portfolio=concert-for-high-heels","title":{"rendered":"Concert for High Heels"},"content":{"rendered":"<h1>Concert for High Heels<\/h1>\n<h6>performance for 14 performers, 20 min.<\/h6>\n<h6>Jagiellonian University, Krak\u00f3w, April 2004<\/h6>\n<h6>City Hall, Norwich, July 2010<\/h6>\n<h6>in collaboration with Anna Szwajgier<\/h6>\n<h6>performers (Krak\u00f3w): Joanna Ba\u015b, Malgorzata Fus, Dominika Knapik, Marta Ostrowicz, Anna Seweryn, Agnieszka Si\u0142owiecka, Katarzyna Wilk, Natalia Wojtuszek<\/h6>\n<h6>performers (Norwich): Charlie Audsley, Eleonore Cherry, Rosalind Coleman, ,Jules Devonshire, Stephen Draycot , Matthew Ferguson, Isabel Gylling, Dorothy Howard, Ellie Morgan, Julie Savoye, Leigh Sneade<\/h6>\n<h6>photo: Adam T.Burton, video 2004 Jan Cho\u0142oniewski<\/h6>\n<p>&nbsp;<\/p>\n<p>Project intentionally uses female steps and sounds that are produced by&nbsp;high heeled shoes with all of their cultural, aesthetic and metaphorical weightiness. At the same time it is set in a&nbsp;definite, chosen particularly for this purpose architectonic space. It&#8217;s official and monumental character is also an important context of the act. Performance uses specific reverb and resonance of main hall and adjoining corridors. Sound material is acoustic and comes from a&nbsp;wide range of various sounds produces when taking steps. Moving in various rhythms, speed, volume and timbre, performers constantly change the set of relations between the sound sources.<\/p>\n<p>(from the Audio Art Festival program)<\/p>\n<p>The audience was seated right in the centre of the building, with the sound approaching from around, above and below. The performance took part just after the opening hours of the City Hall, so the additional, accidental sounds had to&nbsp;be taken to&nbsp;account. The rather small size of the building dictated another approach to&nbsp;the narrative of the piece; the emphasis was put on the forced proximity of sound getting ever closer to&nbsp;the audience.<\/p>\n<h1><\/h1>\n<h1><\/h1>\n<h1>Koncert na&nbsp;Wysokie Obcasy<\/h1>\n<h6>performens na&nbsp;14 performer\u00f3w, 12 min.<\/h6>\n<h6>Uniwersytet Jagiello\u0144ski, Krak\u00f3w, kwiecie\u0144 2004<br \/>\nRatusz, Norwich, lipiec 2010<\/h6>\n<h6>we&nbsp;wsp\u00f3\u0142pracy z&nbsp;Ann\u0105 Szwajgier<\/h6>\n<h6>performerzy (Krak\u00f3w): Joanna Ba\u015b, Malgorzata Fus, Dominika Knapik, Marta Ostrowicz, Anna Seweryn, Agnieszka Si\u0142owiecka, Katarzyna Wilk, Natalia Wojtuszek<br \/>\nperformerzy (Norwich): Charlie Audsley, Eleonore Cherry, Rosalind Coleman, ,Jules Devonshire, Stephen Draycot , Matthew Ferguson, Isabel Gylling, Dorothy Howard, Ellie Morgan, Julie Savoye, Leigh Sneade<\/h6>\n<h6>foto: Adam T. Burton<\/h6>\n<p>&nbsp;<\/p>\n<p>Koncert na&nbsp;Wysokie Obcasy powsta\u0142 z&nbsp;inspiracji d\u017awi\u0119kiem but\u00f3w na&nbsp;wysokich obcasach, wraz z&nbsp;ich w\u0142a\u015bciwosci\u0105 do&nbsp;wzmagania odczucia przestrzeni oraz&nbsp;ca\u0142ym \u0142adunkiem metaforycznym, kulturalnym a&nbsp;nawet politycznym. Do&nbsp;wykonania utworu szuka\u0142y\u015bmy<br \/>\nprzestrzeni o&nbsp;urz\u0119dowym, instytucjonalnym charakterze. Wype\u0142niaj\u0105cy takie miejsca na&nbsp;codzie\u0144 stukot obcas\u00f3w wydaje si\u0119 wykre\u015bla\u0107 linie, tworz\u0105c tym samym rodzaj szkicu przestrzennego.<\/p>\n<p>&nbsp;<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Concert for High Heels performance for 14 performers, 20 min. Jagiellonian University, Krak\u00f3w, April 2004 City Hall, Norwich, July 2010 in collaboration with Anna Szwajgier performers (Krak\u00f3w): Joanna Ba\u015b, Malgorzata Fus, Dominika Knapik, Marta Ostrowicz, Anna Seweryn, Agnieszka Si\u0142owiecka, Katarzyna Wilk, Natalia Wojtuszek performers (Norwich): Charlie Audsley, Eleonore Cherry, Rosalind Coleman, ,Jules Devonshire, Stephen Draycot&hellip;<\/p>\n","protected":false},"author":1,"featured_media":964,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"portfolio_category":[5],"portfolio_tag":[],"class_list":["post-128","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-concerts"],"_links":{"self":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=128"}],"version-history":[{"count":18,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/128\/revisions"}],"predecessor-version":[{"id":2834,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/portfolio\/128\/revisions\/2834"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=\/wp\/v2\/media\/964"}],"wp:attachment":[{"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=128"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_category&post=128"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/www.zorkawollny.net\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_tag&post=128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}